Twentysix gasoline stations (Libro, 2009) [WorldCat.org]
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Twentysix gasoline stations
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Twentysix gasoline stations

Autor: Michalis Pichler; Edward Ruscha
Editorial: New York : Printed Matter, Inc. ; Berlin : "Greatest Hits", 2009.
Edición/Formato:   Libro impreso : Inglés (eng)Ver todas las ediciones y todos los formatos
Resumen:
Twentysix Gasoline Stations is Michalis Pichler's homage to Ed Ruscha, who published his groundbreaking and highly influential Twentysix Gasoline Stations in 1962. Pichler's version offers a more modern update, examining twenty-six German gas stations all owned by the same company and all displaying the same signage and architectural elements. At first glance, all twenty-six images appear to depict the same pristine  Leer más
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Detalles

Género/Forma: artists' books (books)
photobooks
Artists' books
Pictorial works
Specimens
Photobooks
Livres d'artistes
Livres de photographies
Spécimens
Ouvrages illustrés
Persona designada: Michalis Pichler; Michalis Pichler
Tipo de material: Recurso en Internet
Tipo de documento Libro, Recurso internet
Todos autores / colaboradores: Michalis Pichler; Edward Ruscha
ISBN: 9780894390449 0894390449
Número OCLC: 492257955
Notas: Depicts service stations of the identical design in northeastern Germany.
Based on: Twentysix gasoline stations / Edward Ruscha. 1962.
Descripción: 36 unnumbered pages : all color illustrations ; 18 cm
Otros títulos: Twenty six gasoline stations
26 gasoline stations
Responsabilidad: Michalis Pichler.

Resumen:

Twentysix Gasoline Stations is Michalis Pichler's homage to Ed Ruscha, who published his groundbreaking and highly influential Twentysix Gasoline Stations in 1962. Pichler's version offers a more modern update, examining twenty-six German gas stations all owned by the same company and all displaying the same signage and architectural elements. At first glance, all twenty-six images appear to depict the same pristine and brightly-colored generic structure. Only upon further examination, aided by Pichler's captions, does the reader get the full extent of the joke, which is punctuated by the book's final image: a disembodied hand holding an excerpt from Ruscha in which he explains "the eccentric stations were the ones I threw out"--Printed Matter website.

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